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Enrico Caruso: My Father and My Family (Abr ed) (Opera Biography Series, No 2)
by Andrew Farkas and Enrico, Jr. Caruso
Available from Amazon
$16.47
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Features
Paperback: 488 pages
Publisher: Amadeus Press; Abridged edition March 1, 2003
Language: English
ISBN-10: 1574670220
ISBN-13: 978-1574670226
Product Dimensions:
8.8 x 5.9 x 1.3 inches
Shipping Weight: 1.6 pounds
From Library Journal
From the early biography by Pierre Key to the best seller by his wife, Dorothy, from voluminous bibliography to the celebrated recordings, Caruso's life has been well documented. Two years ago, Michael Scott wrote an exhaustive biography ( The Great Caruso , LJ 9/15/88) that appeared to set the standard. Now we have a highly personal account by the great singer's own son in collaboration with recording authority Farkas. Many Caruso legends are corrected by this work. For instance, every other Caruso biography and the article in the New Grove say he was 18th of 21 children; he was, in fact, third of seven. This reviewer, working from galleys, had no opportunity to examine such ancillary materials as plates, chronologies, discographies, or bibliography, which, if they equal their promise, will be impressive and significant additions to this Caruso document.
- William Shank, CUNY Graduate Sch. Lib.
Copyright 1990 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Book Description
Drawing on the personal recollections of the Caruso brothers, archival material preserved by the family, and extensive research, this book is a rare tribute to to the man and his vocal legacy. This abridged edition includes the full original text covering Caruso's life and death, plus a current discography.
Reader Reviews
This biography is an excellent nice surprise. There are three kinds of biographies: 1)written by a ghostwriter (who often did not know the person itimately or at all), 2) written by a close friend or relative, or 3)autobiography. After reading this one, and many others like Isadora, Rockefeller, Heisenberg, Newton, Einstein, Von Braun, Rembrandt, I opt for the second option. Biographies like this one, written by a close friend or relative simply give the best of both worlds: intimate information normally inaccessible to others, and still an objective but well informed and not too speculative view. This book is told by Caruso's second son, who was fortunately bestowed with an excellent memory and decided in the last years of his life, thank God, to put this story together before it would be too late. He was only 17 when his father died in 1921. His son said himself he was more a storyteller than a writer, and as for choosing the writer Andrew Farkas he also did an excellent job. The style is very readable and elegant. It is simply fascinating to read about a life in the Edwardian says, and especially such a famous one. Many biographies tend to become a bit tedious since in trying to be definitive they often sum up too many facts without paying attention to a general idea of the meaning of the biography itself, that is, why that person, in this case Caruso, is worth a written life story and why the reader should care to read on. This book shows how it should be done. Not only is it an intimate insight in Edwardian life, also it shows how it is to be the child of such a unique artist. Even more unique is that more than going into voice studies and the like, it is about the life of the great tenor at home, after the concerts (of which he did many). It shows Caruso the man, the character, the child, the tragedies (of loosing his wife to his chauffeur), the father, and last but not least Caruso the Italian. This is a definite great addition to the vast literature of Caruso. There are enough books and studies written on Caruso the voice, but none will ever surpass this one about Caruso's intimate, or as Proust would put it, 'real' life. Although seen through the eyes of his then young son, who was old when he told it to the world, it gets as close to the facts as we will probably ever be. His son is convincing in his objectivity by just telling what happened. This story is no idealisation of his father. As an example: many biographies were supposed to be hostile to his mother Ada after she left the family. This biography shows why she might have left while at the same time it also makes understandable why his son must indeed have loved his (dramatic) father so much. Caruso was a real Italian, having possibly many relationships, but still acting out when his wife left him for it. Apart from this, many other myths and errors in other biographies are corrected. So why read another biography when you can buy this one? His son was a Caruso as many Italians, although not bestowed with such greatness as his father. Elegantly enough he even admitted himself that at six years of age he wondered he had to be the son of this great artist. He can rest assured that he has done his job well by telling the world as neutrally as possible who his father Caruso was, with all his flaws and greatness. Turning the last pages we can only agree with his son's enormous affection for Caruso, who was not only a great actor on stage, but full of melodrama in real life, like a real Italian. How wonderful it would have been had he only lived in our time, but thanks to the recording technology we can still enjoy many of his songs, and thanks to his son, we also have a glimpse of his intimate life as close as it will ever be. I recommend this book to any Opera lover, or any person who loves this era or any good biography, as I do not see how this will ever be surpassed, not even by Caruso himself were he still alive - since according to his son, he would never have admitted his mistakes, and his autobiography, if existed, would have been too flattered.
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Enrico Caruso: My Father and My Family (Abr ed) (Opera Biography Series, No 2)
by Andrew Farkas and Enrico, Jr. Caruso
Available from Amazon
$16.47
|
|
